Direction | Nick Sewell

OSCAR PETERSON: BLACK+WHITE

UPDATE: Winner of 3 Canadian Screen Awards, including Best Director (Documentary) Best Biography and Best Visual Research!

Wow. What a treat it was to work on this film! Barry A

THE DAVE ARNOLD SHOW

I’m beyond thrilled to share the product of more than a year of secret work: THE DAVE ARNOLD SHOW!

This is a new variety show for young people, created by my very good friend Mr.

Danko Jones | My Little RnR

It’s not often I get to pitch a ‘first-person, stop-motion, animated graphic novel’ about a vampire.’ It’s even rarer for the client to go ‘Yeah, cool. Let’s do it.”

Never the l

Writers Guild of Canada

This fantastic series of pieces was commissioned for the Writers Guild of Canada to highlight screenwriters working in the Great White North.

Our good friends at The Juggernaut

MSTRKRFT | Priceless

I had the pleasure of putting this video together for EDM heroes MSTRKRFT. In May, after returning from the Death From Above

Billy Talent | Louder Than The DJ

After the amazing success of the Death From Above video Trainwreck 1979 local pals and men of rock Billy Talent tapped me to put toge

Sugar Coated

After almost 2 years of development and production, I’m thrilled to finally be able to post this project! Sugar Coated is a feature length documentar

Fresh Snow: Blood In The Sun

I had the pleasure of creating this animated music video for instrumental kraut-rock overlords Fresh Snow. The video was produced as

DFA1979 Train Wreck 1979

I had the pleasure of designing and animating this the video for the debut single from the much-anticipated new Deat

Shape My City

Commissioned by Meta Strategies and the Centre for City Ecology, this short video was designed to invite urban activists and engaged citizens to beta t

Our Times

I created this title design for political documentarian Holly Doan’s series Our Times. The six part program explores the massive upheavals in Canadian

Nikon: The One

This quartet of sleek 15s for Nikon were completed using a mix of live action and CG. The cameras were modelled and animated in-house using Lightwave,