What began as an exposé of a well known awful person, soon morphed into a much more interesting exploration of the zeitgeist of the MeToo movement, the power of social media and Hollywood’s deplorable record on the treatment of women.

Working with my frequent collaborator Michèle Hozer (this time as editor and writer) and under the direction of noted filmmaker Barry Avrich,  I crafted an assortment of photo treatments and graphics to help tell the story.

So much of this film was about perception and the role of media, so I experimented with different lensing techniques and print effects to help capture those themes.